I love and I’m truly proud of the work I’ve done as the Director of Content for Flint & Steel and other brands & businesses. But in my free time, I’ve also managed to achieve continued success as a screenwriter. Some people take a walk, meditate, hang with friends, or cook to unwind (as do I). But nothing recharges my batteries for the work week more than writing stories for FILM, TV, STREAMING & GAMING. And I attribute my playful & unbounded weekend creative outlet, to my track record of success as a creative and strategic DOC.
WONDERLAB | PRODUCED SCREENWRITER / E.P. | 1999 to PRESENT
Pitched/sold 25+ original feature films, TV series, video games (from concept through production) to Netflix, Warner Bros., DreamWorks, Paramount, Sony, CBS, FOX, NBC, ABC, Village Roadshow, Dark Horse Comics, THQ Revolution, and Activision
Creator / Story & Screenplay Development / Script Doctor: "CSI: NY” (CBS), "Torque" (Warner Bros.), "Mind Hunter" (Netflix/Fincher), "Hot Import Nights" and “True Crime: Streets of NY" (Activision)
Genres: Action, Sci-Fi/Fantasy, Thriller, Procedural, Dark Comedy, Drama, Unscripted.
JP Donahue & I created and wrote the screenplay for Torque for Warner Bros. that attracted Ice Cube, Martin Henderson, and Jamie Presley got the film greenlit, cast, and made.
When CBS needed an original concept for an episode of CSI:NY to stay on budget and on schedule, J.P. Donahue & I created and wrote the mysterious & deadly “closed box episode that we lovingly named “Death House" (Season 3; Ep 6) .